I’ve spent thirty years as a professional film and TV editor. My father is a retired film and TV editor. I’ve been in multimillion-dollar post-production facilities, back when they were a thing, and seen some of the best display technology the world has to offer. I’m good at what I do, and part of the reason for that is my annoying hyperfixation on details that other folks might miss. Lighting, sound, and imaging nuances, if there’s an anomaly, I’ll spot it.
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